CCR

HELLO, ALL THIS IS THE FINAL PIECE TO THE PUZZLE!

CCR

IN DEPTH REFLECTION

VIDEO: 

Oh man, oh man, oh man... the things I could say about the entire filmmaking process can go on for ages in reality. 

Script-

     I like to think of myself as a pretty okay writer when it comes to narratives, sometimes my lines of dialogue are a little formal or may not fit a character's vibe but overall I'm usually able to make a pretty good flow within discussions. Within "Growing Pains"our first draft (before Miss.Rona hit) was one of my favorite pieces of writing I have ever done for the screen. I wrote it sometime last year after my AS project was finished and wanted to prove myself as better than what I made because, in all honesty, I was way too ambitious last year with my project and it didn't turn out the way I wanted it (though it was a neat idea especially for my first time making a film). 

     My AS project failing in my eyes was mainly due to my inexperience and procrastination which Yejin and I heavily tried to avoid this time around by giving ourselves countless schedules to work off of. When we had to change the plot I was honestly heartbroken, as that story meant a lot to me coming from a poor family who had to acclimate to the real world, while also modeling the older sibling after both my older sister and brother. Yejin and I still wanted to use a similar sibling aspect, and Yejin had told me about a scene they had stuck in their head during a facetime call about a mug breaking, which immediately got a story going in my head. When regarding the story, I love it, its the best we could've done in a tight situation and it's a seemingly nice watch. For the actual script itself, I do which I changed a bit of the dialogue as it sounds a little off in some of the scenes but overall it's pretty good.

Filming/Editing-

     I'm not usually one for filming or editing, though I do prefer editing out of the two I believe I'm much better at creating stories and giving overall direction. Within our process for both of these major aspects to the film, how do I say, Yejin and I wanted to DIE. When filming we were not able to house Phillipe (Marco), or his older sister Sophie Diebold as their parents have been very cautious throughout the pandemic and didn't want to risk anyone getting sick. So our plan was to draw out every scene and have Sophie film it for us in her house and use a technique called rotoscoping, which is when you draw over a picture and place said drawing in a real environment like it apart of the surrounding world. There were some overall issues with some of the framing but Yejin and I did what we could in fixing whatever we could through animation or in post. Now we thought filming was difficult, then we started editing and knew only pain. 

     When editing any scene without Phillipe it was a breeze, making sure audio was synched and our color correction looked okay has never been a huge problem for either Yejin or I. The true pain came when editing in the animations. We both animated through Adobe photoshop, converting each video to singular frames, drawing over them, saving them all one by one as a PNG, then exporting them into EZGIF (a gif making website). Now when we put these gifs through Adobe Premiere every single one malfunctioned, leaving me to reanimating every single one through photoshop one by one. This took HOURS, and I truly wanted to scream the entire time, leaving me up to fixing our animations until FOUR AM so the next day we could just do straight editing. This was truly torture and by the end, some of them still messed up, and we couldn't do much to fix it from that point but hey! We still have some cool animations.

WEBSITE:

     Websites are cool, right? WRONG. I mean, I get it, we need to have a home for all of our media and be able to direct people on where to go. The actual construction of the website did not bother me or Yejin as we both have had experience in making one (Yejin a lot more than I). But in all honesty, I'm just not big on websites in general. I definitely know they're important and needed in life, but I'm not keen on the whole ordeal.

We included everything we thought necessary to a film website like-

• Synopsis 
• Pictures 
• Where to find

And that's pretty much it, not much to say about the website, but I'm glad it looks cool!

POSTCARD:

     From the beginning, Yejin already had a vision of what the key art should be and so did I. Because of this we were able to bang the design out pretty quickly. The key art was important because we wanted to show the most prominent factors within the film, rotoscope, Charlie and Marco, and the broken mug that carried the story. We also knew there had to be easy access to our website, the host of where people can watch our film and extras we created. To do this we made a QR code that can be scanned my phone that directs the scanner straight there.

__

All in all this project was a complete whirlwind, with the world going haywire I really needed a sense of grounding throughout it all. I'm happy to say this project, though it definitely encouraged my current madness to expand, was able to do that for me. 

This is my last high school project for media, a class that's changed my life forever. Leading me to my two most favorite teachers, my major in college, and another country. This class lead me through life with a new perspective, leading me to chase my dreams in my dream program, Emerson college's Global BFA in Film art. In a couple months, I'll be living in France pursuing what I love most, I would've never pursued my greatest achievement, not without Mrs. Marchetti, Mrs.Stoklosa, or my new life long friends I met in media. 

So for everything, thank you, I hope you enjoyed my madness, and remember to look for my name on the big screen.

DONE-ZO!

WERE FINALLY DONE- I PRESENT TO YOU "GROWING PAINS" BY YEJIN KOO AND ME, JOEY COUSIN!

VIDEO! 

(I recommend you download the video from google drive to see it in its best quality!)

WEBSITE

POSTCARD:

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Home stretch

Hello humbled evaluators, teachers, and honored guests, I'm currently writing this draft for one of my final blog posts at 2 am- not because I procrastinated it as you can see by the post date, but because I can't sleep till Yejin and have our animations finished.Yejin asked if I would be willing in helping them animate and of course, I said yes, not only because I love drawing, but it introduces me to new techniques and methods of filmmaking. Above are some of the animations I helped Yejin out with. Each is quite painstakingly long to do in all honesty, sometimes frustrating (like when you draw on the reference frame), but overall therapeutic. We had some issues in transporting these gifs into Adobe Premier as sometimes each individual frame would glitch out of recognition leaving us to manually animate each individual keyframe. But oh well, whatever it takes to make the film as best as it could be. 

Yejin also asked me if I could find us a color palette 

to use within the film and this is what I came up with!

Reasoning: This pallet shows a spectrum of colors that are often seen as nostalgic, they all fit within a "vintage" color scheme. Although our film is not vintage per se, it's a homage to what the film represents. As "Growing pains" is about reflecting on the past and either moving on, or getting stuck within. You could also look at it as Marco embodying the yellow, the most prominent within each palette as he is in Charlie's life and taking said yellow, joy and happiness, out of his life would leave them dark and seemingly unfinished The light blue, mint, and yellow bring a childlike feel to the scheme, while the brick and dark blue shades ground it, as Charlie does for Marco. When studying color psychology you can also see darker colors, more specifically brown, red, grey, and blue have a more 'mature' feel, which is why I felt they would work great not only in visual effects but in meaning for our production.

Shooting day-2 LAST DAY!

Okay, so we officially finished day two of filming! Sadly the two videos I wanted to include were too long to fit in so in the drive link you can see them here!

We didn't have a whole lot to do today but it still felt a little overwhelming, probably from staying up all night. Honestly, I'm just super anxious to formally put everything together, hoping everything will work out with the editing and rotoscoping. 

Now that we have things filmed Yejin and I can finally work on the website and work on the key art as well, productivity!

Its crunch time babeyy! But m fully confident Yejin and I will be able to finish everything in a way were both proud of (hopefully we don't have to go back and refilm anything). I'm really happy with how we adapted to everything happening with Covid-19 and turning our original story into the one we currently have.

Stay tuned...genius at work.

Shooting day-1

WE'VE STARTED!!!

So today we filmed all the birthday party scenes along with the scenes at night, now tomorrow we're only going to have to film the opening scene and the ending. The reason we had to do that was because we needed to film all of the un-broken mug scenes before the ending where its seen as broken. We ended up filming until 1 AM so Yejin just stayed the night at my house so we could edit as much as we could that as soon as possible. Throughout the process, I acted and recorded all audio as Yejin directed and filmed each scene.

Here is Yejin under my kitchen table recording the mug in Marcos's "hands".

 And here is some GRADE A acting from me...oh give me an oscar you say? Well, thank you kindly.
BUT ACTUALLY, I really do like acting though I know I do better in more emotionally intense scenes in my opinion. I've been in my schools AMT for the past three years with the last two resulting in me having a lead role (sadly this year's show was canceled because of Corona :( so no senior show for me)

This is how we filmed Marco "holding" the mug, you actually can't see it from this framing but I put a cup underneath in order make it look like it was suspended in mid-air.

OVERALL FIRST DAY FEELINGS: Tired! But motivated to continue until everything is perfect :)

The balls a-rollin

Hello Cambridge! I know as of lately I have been a little lack-luster in my documentation of what's going on with "Growing Pains" so I decided to show some more exquisite evidence of our current path. Above is a photo of Yejin and I working hard on the script deep into the night, prospering and enjoying our collaboration anyways. Below is the official storyboard, done by Yejin with my consult. 

With the shots involving Sophie's brother, we directed a system to make everything work out. Yejin and I will be in constant contact with Sophie, collaborating on how each shot is supposed to look and instruct her little brother on how he should deliver dialogue.

Overall Yejin and I are very excited to start filming within the next couple days to see our work come together!